I can't tell too much
I don't dance on the topic of destruction for fun
Seen a lot of broken hearts, busted windows and beyond
Screaming for you but the words come out like blood
What's a life without your love compared to scars,
I can't tell too much, I can't tell too much
Sold a pool to the ocean
Made reflections into money
Should've brought a bigger boat
Bury me at 99 leagues under sea with the sigil of a lotus
On my eyes when I'm asleep so
I can't tell too much
Gotta deal with these imposters on the premise that they bad for my health
On my heart like stethoscope
Open up like center-fold
Flirt with death but tell her 'no'
Light my gas and let it go
All these habits terrible
Break the walls of Jericho
Water works you can't control
Flood yo face and shake yo bones, I
Stretch a blessing til it's paid back
Place mats ready when you need to get yo strength back
Say less
Long reach according to the army and the taste tests.
Stay fresh, wait, open slots, face in the machine's stock
Ready to take risks, wait
I can't tell too much
I don't dance on the topic of destruction for fun
Seen a lot of broken hearts, busted windows and beyond
Screaming for you but the words come out like blood
What's a life without your love compared to scars
I can't tell too much, I can't tell too much
The ethereal quality of the perfect words to paint a mental image; Yoh does this in a way that seems almost nonchalant. You'd be doing yourself a disservice by not walking this path. Nakama.
A coalescence of New York morbidity and incisive narrative, Amani and KVU managed to capture the paranoia-inducing motion of a Metropolitan dystopia. Dark, moody, powerful, palpable. Nakama.
When we hip-hop artists say we create a space in our music, Namir takes it several steps further and introduces you to an entire universe. Take the journey with Aphelion's Traveling Circus. Nakama.